The white maiden came (Viesturdārzs)

• Choreography - Katrīna Albuže
• Dramaturgy - Aiva Birbele
• Dancers: Lāsma Andžāne, Iveta Dortāne, Kristīne Rublovska, Ieva Afatņicka, Ieva Lība Ratniece, Guntis Spridzāns
• Music - Dzintars Lipors

They were happy to organize beautifully white celebrations in the garden. But is the garden happy to meet them?

Tolerance (Viesturdārzs)

• Choreography - Ri Shirotsuki
• Dramaturgy - Tatjana Mezehova
• Dancers: Terēze Doroteja Vīksne, Marta Anna Rūtena, Kristiāna Gorlova, Isabella Krause, Svetlana Vazauskite, Viktors Šnaidermans, Andrejs Korsuns

The performance invites you to get closer to the connections between the creator and the creation. What discoveries does the modern Pygmalion encounter when creating his Galatea? What will he have to come to terms with so that his creation lives not only in his consciousness?

Shore (Andrejsala)

• Choreography - Guntis Spridzāns
• Dramaturgy - Tatjana Mezehova
• Dancers: Velta Gūtmane, Iveta Dortāne, Diāna Paramonova, Sergejs Korotkovs, Kristīne Rublovska, Anne Kvelde, Lidija Aštašenoke, Ieva Limere, Laura Bukovska, Terēze Ķestere, Liene Skvanka

The shore is a place where the land and the world of water touch but do not meet. The performance looks at how what is happening and what is being created touch, and how the influenced and the influencing do not meet.

Not Meeting (Andrejsala)

What remains after the interaction of two strong forces, if it was not possible to fully see each other?

• Choreography - Eva Krūmiņa
• Dramaturgy -  Linda Krūmiņa
• Dancers: Linda Krūmiņa, Signe Bērziņa, Ieva Lība Ratniece, Diāna Paramonova

The performance embodies an absurd scene of a distant or very near future, reflecting on the human need, connection, and trust with the natural, pure, and healthy. How much are we ready to give to nature right now, if we take so much from it? Is the coexistence of nature and humans fair?

Tide / Ebb (Andrejsala)

• Choreography - Edgars Ščakota
• Dramaturgy - Laura Lapiņa
• Dancers: Belçim Yavuz, Elīna Muciņa, Melānija Freimane, Riccardo Venezia

A hard, rough, and sloping surface is the only space they know. The four bodies must tense their muscles with all their strength to move upwards again and again. In this harsh environment, vitality begins to fade, but there is no place where the bodies could recharge anew. Can they survive? Maybe a few meters away there is another matter?